The beginning is the stage of realism, through which faces and bodies are expressed with worries. This stage continued until after graduation from the university in the early eighties of the last century. After that, the stage of symbolic realism, I carried most of the stages that I went through is the obsession of not stopping at one method to express my thoughts and leaving my imagination free and expressing it freely in the form and technique that suits it, because I consider that the method is the ceiling that surrounds the artist’s imagination by expressing his concerns and ideas and makes it repetitive for himself. Moving and changing places played an influential role in my experience, where nostalgia, distance, artistic and social environment, all these factors left an impact on my artistic career, which made me wait for the emergence and crystallization of my style closest to abstraction with realistic effects with some elements. As for the major disaster that imposed itself on my method, it was the entry of the element of destruction that was already occurring. By losing the studio and all my written memory and the works contained in the studio. After settling in the Netherlands, I continue to work with the same constant search mechanism to develop plastic vocabulary absolutely freely without technical or stylistic restrictions that hinder the creative process. With it, this is achieved through juxtaposition of colors or their derivations, and this can be achieved without other additions